An immersive 10-speaker sound installation created for Vibram’s awareness event, designed to accompany the performance by Sergio Maggioni. The sound piece originates from recordings of melting glaciers, which are processed and resynthesised into an evolving audio composition. Distributed across the space, the sound system transforms the recording into a spatial listening experience, connecting the physical environment with the sounds of a changing natural landscape.

Sound is the voice of the exhibition. I composed an original piece for each of Francescon’s hybrid creatures bodies built from reclaimed wood, its knots and grain left visible, wrapped in synthetic fibers, faux fur, rope, and yarn in unnatural colors. Every sound is treated as an anatomical trait, on par with the wood and the fiber, not laid over the piece but grown into it. The result is a space where the creatures don’t just stand there, they breathe. Their voices overlap into a single acoustic environment that fills the room the installation built to house them: a whole world nested inside another world. The exhibition stops being something you look at and becomes something already alive, already speaking, before you walk in.

An educational initiative produced in collaboration with the Augusto Rancilio Foundation: a four-day residential masterclass in sound design, held at Villa Arconati. Event production covered residential logistics, space management across the gardens and other historic spaces, coordination of working groups and tutors, and scheduling of mentors. The program combined field recording, collective creative development, and the installation of a multichannel immersive sound system within the villa’s labyrinth. The residency culminated in a public presentation of the original works inside the labyrinth, turning the educational process into a live public event.

A two-night music series dedicated to experimental electronic music, featuring Kali Malone (Organ) and Mohammad Reza Mortazavi (Nexus), set within the unique architectural and cultural context of Chiesa Rossa.

The programme brings together artists and live performances conceived primarily as listening experiences, creating a space for focused and immersive encounters with sound. Rather than following the traditional format of a club night, the series explores a more intimate relationship between music, space and audience, transforming the venue into a setting for listening, experimentation and cultural exchange.

As part of the Terraforma Radical School, the project combined education and sound experimentation through a dedicated day of mixing and spatial audio practice for the students. The workshop introduced the principles of spatialised sound and the system used for the final performance, leading into the installation of 20 speakers throughout the garden labyrinth of Villa Arconati. The resulting sound experience transformed the architecture of the labyrinth into an immersive environment where sound could move through and interact with the space.

The system was designed around four central speaker columns, each composed of three speakers, supported by four subwoofers and an external ring of eight speakers positioned around the labyrinth to cover the full spatial dimension of the garden. A spatial mixing system allowed the audio to be mixed specifically for the architecture of the site, creating a dynamic and immersive experience based on the movement of sound through space.

A sonic composition developed for SPECULAR OASIS, an installation by the creative duo Barbieri Magalini and Studio Christine Kalia. Monotono Smarrimento is an 8-hour self-generative composition built from five recurring sounds: wind, shifting sand, falling drops, flowing water and an ambient drone. Each sound continuously regenerates through random variations in position, pitch, duration and spatiality, creating a composition that is never exactly the same. The soundscape keeps the listener anchored within the same sonic environment while constantly changing around them. Familiar elements return in unexpected combinations, creating a sense of disorientation and movement, as if remaining in the same place while slowly losing any sense of where you are.

A project dedicated to artistic and sonic experimentation, developed in the underground space of Fondazione Elpis in collaboration with Threes Productions. A temporary sound installation combining ceramic acoustic instruments with a live performance during the opening.

A sound installation developed for the Versace fashion show at Pinacoteca di Brera, designed to provide audio coverage across three different rooms while integrating seamlessly with the architectural and aesthetic character of the museum. The speaker system was carefully positioned to ensure an even listening experience throughout the spaces, while maintaining a visually discreet presence within the historic setting, yet introducing a distinct aesthetic contrast with a strong visual character.

I designed the sound system around the curatorial concept of "Atrio Calmo": a threshold space between interior and exterior, suspended, inviting a slow and conscious way of experiencing it. Sound here doesn't comment on the space, it builds it the invisible architectural element that holds different but connected rooms together. I designed a five-speaker system, linked in pairs across the first two rooms for uniform, full coverage, with a fifth, independent speaker in the last room. Each speaker was positioned and calibrated to stay visually undetected: within the space, it's heard, not seen. The music selection, developed over roughly nine hours, follows the natural rhythm of the day, alternating calmer phases with more dynamic moments, and is built mainly on field recordings with natural sonorities, bringing into the showroom the same sense of continuity that runs between its interior and exterior, a continuous fabric that accompanies without ever imposing itself.

For this project, I created a full remake of the sound design and music production for a Salomon advertising campaign, with the aim of conveying an emotional transition: from urban chaos to a return to nature. By contrasting the noisy, fast-paced city soundscape with more open and breathable natural ambiences, I highlighted the protagonist’s need to escape and reconnect with herself. In this context, sound becomes the main storytelling tool: the shoes are not just a means of movement, but the spark that triggers a return to one's roots.